Two Coats of Paint has just kicked off the 2021 Year-End Fundraising Campaign. The whorish porous in the work of Angela Dufresne Lynette Yiadom-Boakye: Call it soulfulness Through April 17, 2022.Īrt and race: Through A Lens Darkly, Nick Cave and Jordan Casteel Jennifer Packer: The Eye Is Not Satisfied With Seeing, Whitney Museum of American Art, 99 Gansevoort Street, New York, NY. It also affords her and her audience a kind of buffer zone in which to register discomfiting insights about their our world as it roils. The tender distance she keeps between herself and her subjects reflects Packer’s empathy and respect for people with whom she clearly feels connected. In her work there is delicate tension between protectiveness and scrutiny. Instead, she imparts, vividly and poignantly, how they, complicated and scarred, make her feel and should make all of us feel. Quite consciously, she eschews recording in visual detail how her subjects look. She is more directly moved by societys personal ravages. Packer is less inclined than, say, Kerry James Marshall, to overtly frame social irony, and she does not employ sharp political metaphors like Didier Williams unblinking eye. Collection of Valeria and Gregorio Napoleone. Jennifer Packer, Cumulative Losses, 201217, oil on canvas, 72 38 inches. Perhaps elegiacally, a window frames a swooping black bird, a familiar symbol of death and darkness. Packer bathes and obscures Taylors reclining survivor in luminous greens and seems to signal the mordant routineness of their circumstances with casually painted everyday household features: fans, paintings, a stairway. Blessed Are Those Who Mourn (Breonna! Breonna!) (2020) remembers Breonna Taylor, the Black woman shot dead by Louisville police who had forcibly entered her home in the mistaken belief that she was dealing drugs. Anchoring the show is a large unstretched canvas with the feel of a protest mural. Private collection.Ĭontributed by Jonathan Stevenson / Its quite a feat for a figurative painter to achieve both intimacy and remove simultaneously, but Jennifer Packer accomplishes just that in The Eye Is Not Satisfied With Seeing, the vibrant survey of her work at the Whitney. Jennifer Packer, Blessed Are Those Who Mourn (Breonna! Breonna!), 2020, oil on canvas, 118 172 1/2 inches.
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